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<title>Wayne Koestenbaum - Free Library Land Online - Animals</title>
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<description>Wayne Koestenbaum - Free Library Land Online - Animals</description>
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<title>My Lover, the Rabbi</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/wayne-koestenbaum/my_lover_the_rabbi.jpg"><img src="https://picture.graycity.net/img/wayne-koestenbaum/my_lover_the_rabbi_preview.jpg" class="fr-fic fr-dib" title ="My Lover, the Rabbi" alt ="My Lover, the Rabbi"/></a><br//><p><b>A psychosexual relationship between a rabbi and the man devoted to him goes off the rails in this explosive novel.<br></b>The rabbi is, to the untrained eye, far from desirable. Lofty and disorderly, aging and constantly losing members of his flock, he is nonetheless the singular object of obsession for the self-abjecting narrator of <i>My Lover, the Rabbi</i>. From the start of their psychosexual affair, the two men torment, pleasure, and manipulate each other with ardor. When they're apart, the narrator manically contemplates every element of the rabbi's being: his alluring adopted son, his false erudition, his patrilineage, his broken-down Pontiac, his out-of-state husband (who the narrator has also slept with), and, maybe most of all, the universe between the rabbi's legs. Spending time together in the narrator's bed, in a tiny town near Hoboken, New Jersey, that our narrator is "devastated to admit is my personal address," a tender, volatile intimacy brews and curdles....]]></description>
<category><![CDATA[Wayne Koestenbaum]]></category>
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<pubDate>Thu, 07 May 2026 12:10:44 +0300</pubDate>
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<title>Figure It Out</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/wayne-koestenbaum/figure_it_out.jpg"><img src="https://picture.graycity.net/img/wayne-koestenbaum/figure_it_out_preview.jpg" class="fr-fic fr-dib" title ="Figure It Out" alt ="Figure It Out"/></a><br//><p><b>"Whatever his subject&#8212;favorites include porn, punctuation and the poetry of Frank O'Hara&#8212;the goal is always to jigger logic and language free of its moorings . . . His great and singular appeal is this fealty to his own desire and imagination . . . Figuring it out, after all, is a life sentence." &#8211;&#8211;Parul Sehgal, <i>The New York Times</i></b></p> <p><i>"Toward what goal do I aspire, ever, but collision? Always accident, concussion, bodies butting together . . . By collision I also mean metaphor and metonymy: operations of slide and slip and transfuse."</i></p> <p>Through a collection of intimate reflections (on art, punctuation, eyeglasses, color, dreams, celebrity, corpses, porn, and translation) and "assignments" that encourage pleasure, attentiveness, and acts of playful making, poet, artist, critic, novelist, and performer Wayne Koestenbaum enacts twenty-six ecstatic collisions between his mind and the world. A subway passenger's leather bracelet...]]></description>
<category><![CDATA[Wayne Koestenbaum]]></category>
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<pubDate>Mon, 25 May 2020 07:27:39 +0300</pubDate>
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<title>The Cheerful Scapegoat</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/wayne-koestenbaum/the_cheerful_scapegoat.jpg"><img src="https://picture.graycity.net/img/wayne-koestenbaum/the_cheerful_scapegoat_preview.jpg" class="fr-fic fr-dib" title ="The Cheerful Scapegoat" alt ="The Cheerful Scapegoat"/></a><br//><b>Wayne Koestenbaum's first book of short fiction: a collection of whimsical, surreal, baroque, ribald, and heartbreaking fables.</b><br>In Koestenbaum's first book of short fiction&#8212;a collection of whimsical, surreal, baroque, ribald, and heartbreaking fables&#8212;Koestenbaum takes the gloom and melancholy of our own terrifying political moment and finds subversive solace by overturning the customary protocols of tale-telling. Characters and narrators wander into strange locales; the difference between action and thinking, between reality and dream, grows moot in a heightened yet burlesque manner. The activities in <i>The Cheerful Scapegoat</i> are a cross between a comedy of manners and a Sadean orgy. Language has its own desires: figures of speech carry an erotic charge that straddles the line between slapstick and vertigo. Punishment hangs over every dialogue&#8212;but in the fable-world of <i>The Cheerful Scapegoat</i>, abjection comes with an undertaste of...]]></description>
<category><![CDATA[Wayne Koestenbaum]]></category>
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<pubDate>Thu, 15 Apr 2021 10:21:30 +0300</pubDate>
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<title>Circus</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/wayne-koestenbaum/circus.jpg"><img src="https://picture.graycity.net/img/wayne-koestenbaum/circus_preview.jpg" class="fr-fic fr-dib" title ="Circus" alt ="Circus"/></a><br//>"If Debussy and Robert Walser had collaborated on an opera, it would sound like this."&#8212;John Ashbery <br>"The mad genius of Pale Fire with the florid outlaw sexuality of Jean Genet"&#8212;Kirkus Reviews<br> For five years, concert pianist Theo Mangrove has been living at his family's home in East Kill, New York, recovering from a nervous breakdown that derailed his career, and attempting to relieve his relentless polysexual appetite in the company of male hustlers, random strangers, music students, his aunt, and occasionally his wife. As he prepares for a comeback recital in Aigues-Mortes, a walled medieval town in southern France, he becomes obsessed with the idea that the Italian circus star Moira Orfei must join him there to perform alongside him. Extravagantly (and tragicomically) describing his hallucinatory plans in a series of twenty-five notebooks, he assembles an incantatory meditation on performance, failure, fame, decay, and delusion. A new...]]></description>
<category><![CDATA[Wayne Koestenbaum]]></category>
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<pubDate>Fri, 15 Nov 2019 11:09:36 +0200</pubDate>
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<title>Andy Warhol</title>
<guid isPermaLink="true">https://animals.library.land/wayne-koestenbaum/191436-andy_warhol.html</guid>
<link>https://animals.library.land/wayne-koestenbaum/191436-andy_warhol.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/wayne-koestenbaum/andy_warhol.jpg"><img src="https://picture.graycity.net/img/wayne-koestenbaum/andy_warhol_preview.jpg" class="fr-fic fr-dib" title ="Andy Warhol" alt ="Andy Warhol"/></a><br//>An intimate depiction of the visionary who revolutionized the art world <BR /> A man who created portraits of the rich and powerful, Andy Warhol was one of the most incendiary figures in American culture, a celebrity whose star shone as brightly as those of the Marilyns and Jackies whose likenesses brought him renown. Images of his silvery wig and glasses are as famous as his renderings of soup cans and Brillo boxes&#8212;controversial works that elevated commerce to high art. Warhol was an enigma: a partygoer who lived with his mother, an inarticulate man who was a great aphorist, an artist whose body of work sizzles with sexuality but who considered his own body to be a source of shame.<BR /> In critic and poet Wayne Koestenbaum's dazzling look at Warhol's life, the author inspects the roots of Warhol's aesthetic vision, including the pain that informs his greatness, and reveals the hidden sublimity of Warhol's provocative films. By looking at many facets of the...]]></description>
<category><![CDATA[Wayne Koestenbaum]]></category>
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<pubDate>Sat, 15 Nov 2014 10:22:48 +0200</pubDate>
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